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Awakened to the fact of her son’s existence and perhaps as an antidote to her unusual display of sentiment, Mrs. Wopp spoke rather sharply. “Moses, time you an’ Betty was in bed. You won’t want to git up in the mornin’ an’ milk the cows.” Later left alone in the lower part of the house she stood arms akimbo in the middle of the kitchen gazing at the door through which Nell Gordon had just departed. Shaking her head she said mysteriously, “I kalkerlate as how things is a-settin’ in that way.” “Why have you been away out in the country for milk?” Now the dance was a two-step and Mrs. Wopp, who drew a hard and fast line at round dances, declaring they were instigated by the evil one, sat and looked on talking to Betty meanwhile..

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The band struck up and, intoxicated with the rhythm of the music, Moses skated as he had never done before. At first an object of amusement to the city boys he became the centre of an admiring throng. His spirals and figure eight’s were such as to call forth envious remarks. Even Clarence Egerton Crump thawed and admitted to several school mates that Moses Wopp was a pretty solid pal, only a bit gawky in his get-up. “Where are you going to take me?” she asked, trying to equal his long stride. Betty kept her tour de force till the last and astounded Moses by riding into the yard on the back of a large cow. Molly had been padded to represent a camel and Betty rode perched insecurely on the hump of the lordly creature, holding Mrs. Wopp’s treasured red parasol to give the effect of a canopy. She thought he should be in a warmer room, but he begged so hard to stay that she yielded. She put a bell near, that he might call her, and went to him several times before she slept, finding him somewhat restless, yet too profoundly asleep to be wakened by her light touch. Outraged nature was in charge now..